Image. A family group in the sanctuary of a Catholic
church, standing in front of the altar. They are Romina, her baby Jason, and
the baby’s stepfather Kofi, with a priest, who is baptizing the baby. Romina’s
mother is nearby. The wall behind the altar is elaborate with sacred
iconography, in the manner of large old Catholic churches. During the ceremony
there are cuts back and forth to a man in a pew at the rear of the church. He
is Luke Glanton, the biological father of the baby. He is crying.
Plot. In the first part of “The Place Beyond the
Pines,” Luke, a motorcycle rider in a carnival act, discovers he has a son,
Jason, who was conceived when Luke was in town a year ago. Now Luke wants to
have a life with Romina and Jason, but she has moved on. Out in the woods, he
races his motorcycle among the trees to relieve his frustrations. There he
meets a man who introduces him to bank robbery. He gets killed by a rookie cop,
but not before he phones Ro and says not to tell the boy about himself.
In
the second part, the cop struggles with guilt. He has a son the same age as
Jason, whose name is A.J. An older, angry cop, whom he has accused of
corruption, lures him to the woods at night. He flees. He tries to be an honest
cop, but his career ambitions complicate things.
In
the third part, Jason and A.J., now teenagers, meet at school. Jason discovers
who A.J. is and starts a fight. He ends up in the hospital, where he calls
Romina a liar because she refuses to tell him about his real father. He gets a
gun and forces the cop, who is now off the force and has been elected district
attorney, to drive him out to the woods. Jason threatens to shoot the cop. The cop,
thinking he is about to die, says, “I’m sorry, Jason.” Jason changes his mind.
He goes away, buys a motorcycle and heads west.
The
question I wanted to ask today was, What does this movie say about character? But
there was just too much else going on.
Title. There’s the title, which refers to the lonely
spot in the woods where (1) Luke turns to crime; (2) the cop turns around and
flees; and (3) Jason turns around after the cop/district attorney says he’s
sorry.
Theme. There’s the persistent theme of how hard it
is to be a father to a son. Luke didn’t have a father and now is shut out of
fathering Jason. The cop had an attentive father but was never on the same page
with him. The cop and his wife divorce. When A. J. wants to come live with him
he’s busy running for D.A. Kofi has been with Romina since before Jason was
born and tells Jason, “I am your father.” But Jason goes away.
Character. The movie is a cry of despair. It’s as though
a single composite character screams out of the middle of it, “I don’t know
what to do!” As though each of the men and the boy come face to face with
themselves in the woods—three times, that moment of recognition; that
anagnorisis—but the truth they recognize is one of emptiness, lostness and rootlessness.
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